The Eiffel Tower is one of the most photographed landmarks in the world, which makes choosing a Paris print harder than it sounds. The postcard view is everywhere. What works on a wall at home is usually something more particular: the tower seen through a bridge, glimpsed between apartment buildings, or softened into light.
Our Paris photography prints collection is a small, focused edit of 7 original photographs by Peter Yan, most of them part of a new Eiffel Tower series. Every one is sold as a framed print, hand-framed in Australia and delivered free Australia-wide. This guide explains how to choose between them and which sizes and frames suit which rooms.
The Eiffel Tower series: five ways to see one landmark
Through the bridge. Eiffel Through Bir-Hakeim looks at the tower from Pont de Bir-Hakeim. The bridge's ornate ironwork creates a rhythmic frame around it, and a passing Métro train blurs across the top of the photograph. It's the most architectural piece in the series, with two symbols of Paris in one frame. It suits living rooms, studies and anyone who likes structure.
Between the streets. Eiffel Between the Streets and Eiffel Between the Streets II are photographed from below, with Haussmann-style façades, wrought-iron balconies and trees leading the eye up to the tower. They capture that moment of turning a corner and finding it there. The first is a landscape composition for above a sofa or sideboard. The second is a strong vertical for hallways and narrower walls. Both are black and white.
Among the rooftops. Eiffel Among Paris is framed more tightly. The tower's iron structure sits alongside mansard roofs and ornate apartment fronts, a quieter, more architectural image of how the landmark lives inside the city.
At night. Eiffel: City of Light is the outlier. Photographed deliberately out of focus, the illuminated tower dissolves into golden and silvery bokeh against black. The silhouette is still instantly recognisable, but the effect is closer to abstract art. It is warm, minimal and particularly good in darker rooms.
City of Love: Paris at dusk
The two earlier Paris photographs take a wider view of the city, with the Eiffel Tower on the skyline just before sunset. City of Love – Paris keeps the delicate golden light of dusk. City of Love – Paris in Black & White turns the same mood into monochrome. Choose these if you want Paris as a place rather than a close study of the tower. They also work well in larger spaces such as entries, hospitality and offices.
Black and white or colour?
Five of the seven Paris prints are black and white. Monochrome suits the Eiffel Tower well: it brings out the ironwork, the stone façades and the geometry. It also sits easily with timber, leather, linen and most Australian interiors. For something warmer, the colour pieces are City of Love – Paris at golden hour and Eiffel: City of Light at night.
A simple way to shortlist
- Pick a viewpoint. Architectural (Bir-Hakeim, Among Paris), street-level and vertical (Between the Streets I and II), abstract (City of Light) or the whole city (City of Love).
- Match the wall's shape. Landscape pieces (Eiffel Through Bir-Hakeim, Eiffel Between the Streets, Eiffel Among Paris) sit over sofas, beds and sideboards. Portrait pieces (Eiffel Between the Streets II, Eiffel: City of Light and both City of Love prints) suit narrower walls, hallways and the space beside windows.
- Check the size against the furniture. A useful rule is roughly two-thirds of the width of the sofa or bed below. Then preview it with See it in your space on the product page.
For a pair, hang two portrait pieces side by side: Eiffel Between the Streets II with Eiffel: City of Light pairs monochrome with colour. Or hang both City of Love prints together. A black and white Eiffel print also sits well beside the London or New York monochrome work if you're building a wall of cities.
Sizes and framing
Every Paris print is offered in six framed sizes:
- Classic Collection: Small 59 × 42 cm, Medium 70 × 50 cm, Large 84 × 59 cm, Gallery 119 × 84 cm.
- Signature Collection: Curator 140 × 100 cm, Masterpiece 160 × 110 cm.
Prices start from AUD 385. Every piece is printed on archival fine-art paper with pigment inks. Each one is hand-framed in Australia in solid timber (matte black, matte white or natural oak), behind optically clear acrylic rather than glass, and arrives ready to hang. Black frames suit the monochrome Eiffel series. Oak and white soften the colour pieces. For more detail, see our size guide, how to choose a framed print size, and what hand-framed in Australia means.
Delivery in Australia
Each Paris print is made to order. Allow 1–2 weeks for production and 2–5 business days for delivery, depending on your location. Delivery is free Australia-wide. We only produce and ship framed prints within Australia.
Where to browse
See all 7 photographs in the Paris photography prints collection, or browse Featured framed prints for a shorter shortlist across every place. If you're drawn to the monochrome Eiffel series, the wider black and white collection is a good next stop.
Tell us your wall width and whether you lean towards black and white or colour, and we'll gladly help you narrow it down.
